![]() ![]() If you know how to build your diatonic chords, you can use the same method to stack up thirds to form triads and seventh chords on each degree of the mode. So far we’ve been talking about the modes as scales or collections of single notes.īut building chords on the degrees of each mode will give you a palette of harmonic choices to add to your toolkit. Unlimited mastering & distribution, 1200 royalty-free samples, 30+ plugins and more! Get everything LANDR has to offer with LANDR Studio. ![]() This will help you understand what makes each mode distinct. Now that you know the scale formula method, trying transposing each mode into C and playing them over the corresponding C major or minor chord. We know that Lydian contains the raised 4th scale degree, so we can simply add D# to our “key signature” to create the mode. We remember that Lydian is a “major” mode so we start with the scale formula for A Major: F#, C#, G#. Aeolian – minor + lowered 6th, lowered 7thįor example, say we want to play A Lydian.Phrygian – minor + lowered 2nd, lowered 6th, lowered 7th.Dorian – minor +raised 6th, lowered 7th.Here are the formulas for the church modes. ![]() This is the “scale formula” method for remembering the modes. If you know whether a mode is generally major or minor, you can simply remember which tones are altered from the template. This is where the other method for remembering the modes comes into play… Scale formulasĪs I’m sure you’ve noticed, the modes share a lot of similarities with either the major or minor scale. Once you understand the parent scale method for getting the modes, you’ll start to see patterns. The circle of fifths is a great partner tool for writing modally. So E Aeolian is simply the 8-note scale beginning and ending on E with the same formula as G-Major.Īgain, staying sharp with your key signatures is a must for working with modes. What major scale is E the 6th degree of?Ĭorrect, it’s G. Simply count backwards to the major parent scale to determine the structure of the mode.įor example, E Aeolian? Aeolian is the 6th mode. Now you can build any mode as long as you know its number in the order. You just learned the parent scale method of building the modes. If you need a quick refresher on key signatures, use our circle of fifths guide as a quick reminder.Īs you can see C major has no sharps or flats, just the white keys on the keyboard. Since your “key signature” won’t change as we go through the modes, you’ll be able to play each mode using the C major scale formula. It’s equivalent to the first mode: Ionian. I’ll go through and build each mode from the C major scale and provide an example from music history to help you understand the potential of each mode in your own songwriting. If you’ve been writing a lot using the vanilla major and minor scales, your next song can benefit from some modal flavour! Ironically, you can use the mnemonic I Don’t Particularly Like Modes A Lot to remember it! So what are they and how can you remember them? The sound of the modes come from their unique constructions. Once you start experimenting with modes, you’ll recognize a lot of the sounds and colour they have to offer. Read - Major Scales: How to Use the Most Important Music Scale
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